EKHO

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By the edge of a lake, Anaïs, a dancer facing a body that is slowly slipping away, is overwhelmed by her memories. In the silence of the forest, she manages to stand and traces a fragile movement, like a final impulse. Reality begins to crack: the present drifts into a theatre stage, where her former body still dances, carried by memory. Between what she can still do and who she once was, Anaïs comes to accept that, despite illness, the flame of dance continues to burn within her.

Maxime Prémorvan

biography

I am Maxime Prémorvan, a filmmaker and writer. My interest in cinema grew from a desire to explore intimacy through image and sound. I create poetic narratives where the body, memory, and emotions become spaces of storytelling.

Credits
  • Directing : Maxime Prémorvan
  • Script : Maxime Prémorvan
  • Casting : Anaïs Vallières
  • Photography : Léo Charbo
  • Sound : Linoh Lépine
  • Editing : Corentin Jamet
  • Music : Maxime Eglin
  • Costumes : Emma Martins
  • Directing assistant : Chloé Eliasu
  • Calibration : Léo Charbon
  • Sound mixing : Maxime Prémorvan

Un immense merci à toutes les personnes qui ont rendu ce projet possible : Anaïs Vallières & Maxime Eglin, comédiens, Chloé Eliasu, assistante réalisation, Léo Charbon, directeur de la photographie et étalonnage, Calvin Lefort, assistant image/chef électricien, Lucile Rakatoniaina, régie générale, Linoh Lépine, ingénieur son, Gianni M’Hakaya, photographe plateau, Corentin Jamet, montage, Maxime Eglin, musique, Louis Piquot, graphiste. Merci également au Théâtre de la Renaissance et à son équipe, et mention spéciale à Pascal Arnaud & Marie-Hélène Rak

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